Don't you see my Jesus coming?

“Don’t You See My Jesus Coming” is a powerful spiritual associated with the nineteenth century African American worship tradition, with Caleb Jarvis Taylor credited as an early arranger and contributor to its preservation. The song was first published in 1867, during the post Civil War period, when many spirituals were being written down and shared beyond oral tradition. This historical setting is important, as the hymn reflects both deep Christian hope and the longing for deliverance felt by believers who had endured immense suffering.

The central theme of the hymn is the second coming of Jesus Christ. Its repeated question, asking whether the listener can see Jesus coming, is not merely poetic language but a direct appeal to biblical expectation. Scripture speaks clearly of Christ’s visible return, “And then shall appear the sign of the Son of man in heaven” (Matthew 24:30, KJV), and again, “Behold, he cometh with clouds; and every eye shall see him” (Revelation 1:7, KJV). The hymn places this doctrine into a form that is simple, emotional, and communal, making it easy to remember and deeply stirring to sing.

The language of the hymn is vivid and anticipatory. Jesus is portrayed as coming in glory, calling His people home, and bringing final justice and redemption. For those who first sang it, this message carried profound comfort. The promise that Christ would return to right all wrongs and gather His faithful ones gave strength in the face of hardship, injustice, and uncertainty. The hymn therefore functions both as theology and testimony.

Musically and lyrically, “Don’t You See My Jesus Coming” encourages participation, often using repetition to draw the congregation into the message. This communal aspect reflects the spiritual’s role in strengthening faith and unity among believers. Today, the hymn continues to remind Christians of the blessed hope of Christ’s return, urging watchfulness, faithfulness, and joy in anticipation of seeing the Savior face to face.