Jim Hill

Jim Hill (1930–2018) was an American gospel singer, songwriter, and influential figure in twentieth‑century Southern gospel music, best known for the hymn “What a Day That Will Be.” He was born on November 2, 1930, in Portsmouth, Ohio, and spent his life deeply involved in gospel music performance, composition, and ministry. 

Hill demonstrated musical talent early and pursued vocal studies, including training in opera that led him to audition for prestigious companies such as the Cincinnati Conservatory of Music and the Metropolitan Opera, but his path remained rooted in church music and gospel performance. He began his professional career in 1945 with The Campmeeting Boys, which soon became The Golden Keys Quartet. This group became known for its vocal harmonies and emotional performances, with Hill contributing tenor vocals and leadership.

His most enduring contribution to Christian hymnody came in the early 1950s when he wrote the lyrics to “What a Day That Will Be.” Inspired by heartfelt reflection on Christian hope in heaven, the hymn speaks of the believer’s future joy in seeing Jesus and experiencing eternal peace, and it quickly became a staple in gospel hymnals and revival songbooks. The song was recorded by several leading gospel groups of its time, including The Homeland Harmony Quartet and The Golden Keys themselves, helping to elevate both the hymn and Hill’s reputation in gospel circles. 

Beyond that signature hymn, Hill wrote other gospel songs such as “For God So Loved” and “No One Ever Cared So Much,” which were embraced by quartet audiences and later by groups like The Stamps Quartet, where he sang in the 1960s, and The Statesmen Quartet. His dynamic voice and passionate delivery made him a beloved performer on stage and later on Gaither Homecoming recordings and concerts.

Hill retired from full‑time gospel music in the early 1970s but remained active in ministry and music, appearing on Homecoming programs and encouraging younger artists. He was honored for his contributions with awards including induction into the Southern Gospel Music Hall of Fame, reflecting a legacy of heartfelt songwriting and impactful performance that continues to resonate in gospel music today.