Go, Tell It on the Mountain

John Wesley Work III (1901–1967)

John Wesley Work III was a towering figure in American music, serving as a composer, ethnomusicologist, and educator who dedicated his life to the preservation and elevation of African American spirituals and folksongs. Born in Tullahoma, Tennessee, into a prestigious musical dynasty, his lineage was inextricably linked to the Fisk Jubilee Singers. His grandfather had arranged music for the original group, and his father was a renowned folksong collector and professor at Fisk University. Work III carried this mantle forward, blending rigorous academic scholarship with a prolific creative output.

Educated at Fisk, Columbia, and Yale, Work spent nearly forty years on the faculty of Fisk University. He served as the chairman of the music department and, from 1947 to 1956, as the director of the Fisk Jubilee Singers. His leadership ensured that the group maintained its international reputation for excellence while staying rooted in the authentic traditions of the spiritual. In 1963, his lifelong dedication was recognized with an honorary doctorate from his alma mater.

As an ethnomusicologist, Work was a pioneer in field documentation. In the early 1940s, he collaborated with the Library of Congress and colleagues like Charles S. Johnson on an intensive study of the Mississippi Delta. This project resulted in the Mississippi Delta Collection, a landmark achievement in documenting the folk culture of African Americans in Coahoma County. His published research, such as "Plantation Meistersingers," remains essential reading for understanding the evolution and "changing patterns" of Negro folksongs.

Work’s legacy as a composer is equally significant. He completed over one hundred compositions, ranging from orchestral works to chamber music, though he is best remembered for his vocal and choral arrangements. He had a unique ability to dress traditional melodies in sophisticated harmonic textures without losing their emotional core. His cantata The Singers won first prize from the Federation of American Composers in 1946, cementing his status as one of the premier American composers of the 20th century.